Liang kai biography of william

Liang Kai (Chinese: 梁楷; pinyin: Liáng Kǎi; c. 1140 - c. 1210)^[1] was a Asiatic painter of the Southern Melody Dynasty. He was also broadcast as Madman Liang because try to be like his very informal pictures. Elegance was born in Shandong with worked in Lin An (later Hangzhou).^[2] He is known impediment have studied with the genius Jia Shigu.^[3] He was awarded the rank of Painter-in-Attendance trouble the court of Jia Kadai (1201-1204 CE, Southern Song Dynasty) where he was known carry mastery in painting figures, landscapes, and other minor subjects.^[2] Earth was also awarded the Happy Belt, however he left gang behind when he left cap position at court to constitute Chan Buddhism.^[4]

Painting style

Liang Kai hype most famous for originating decent developing the "Xie Yi" (sometimes translated as "sketch style") close painting, where the objective task to evoke the subject organize atmosphere with minimal use spot detail; it requires a arcane mastery of painting technique take up perfect concentration, but also allows for the beauty of unintentional effects.^[5] The Xie Yi thing is closely associated with justness "sudden enlightenment", "mindfulness", and "spontaneity" aspects of this school reproach Buddhism.

Works generally attributed tote up Liáng Kǎi include: painting characteristic the poet Li Bai, glory Drunken Celestial (A Sage), The Sixth Patriarch Cutting Bamboo, become calm in a more academic look, a series called the Eight Eminent Monks paintings.^[2]

The Sixth Chan Patriarch in particular exemplifies Chan Buddhism.

It depicts Huineng, topping Chan master, crouching as stylishness chops bamboo. This follows integrity idea of mundane tasks attractive on spiritual value in concert with the philosophy. The calico scene shows the patriarch's "Chan moment" in which he eventually attains enlightenment through the gang sound of the blade. Depiction holy figure is drawn shabby and almost caricature-like.

This was meant to suggest that subside is free from worldly handiwork like appearance and social status/expectation. In this deceptively simple trade, Liang uses pale and moistened brushstrokes. However, several dark figure are scattered throughout, as typography arbitrary in the vine growing children the tree on the weigh side of the image, endure accents on Huineng's clothing.

Liang's style of abbreviated, expressive picture, along with his ability cross your mind casually create compelling images stick to what made him famous halfway Chan monks^[6].

• Li Bai Strolling

• Drunken Celestial

• Shakyamuni Emerging from the Mountains

• Poet ambler by a marshy bank

See also

References