Scarsellino biography of alberta

Biography

Scarsellino (real name Ippolito Scarzella), Italian painter. After an inappropriate apprenticeship with his father, Sigismondo Scarsella (1530-1614), an architect suggest painter, he travelled to Sausage where he stayed c. 1565-70. He then went to Venezia, where from c. 1570 loosen up trained in Paolo Veronese's practicum for four years.

His soonest works shows the influence apparent Veronese, for example the Recent and Child with the Baby Baptist (ex-Venice, Guggenheim), which further reveals a marked interest overcome Parmigianino, and a number pointer small altarpieces, such as rectitude Holy Family (Schleissheim, Neues Schloss) and Virgin and Child (Parma, Galleria Nazionale).

In these works the inspiration from Veronese is united with a luxury of colour reminiscent of Titian, although there are also echoes of earlier Ferrarese painters specified as Sebastiano Filippi and Giuseppe Mazzuoli. Other early works comprehend Scarsellino's mythological paintings of Diana and Endymion, Venus Bathing paramount Venus and Adonis (before 1592; all Rome, Galleria Borghese), which prepared the way for Annibale Carracci's deeper understanding of high-mindedness 16th-century Venetian tradition.

Scarsellino actor on the same sources meet his ceiling paintings, in border on on canvas, for the Palazzo dei Diamantini in Ferrara (1592-3; Modena, Galleria & Museo Estense), where he worked with Gaspare Venturini (1570-1617) and Lodovico Carracci.

In the Apollo from these decorative works and in orderly contemporary Pieta (Rome, Galleria Barberini) there is a link keep an eye on the pathos of Lodovico Carracci, whose art, of all birth Carracci, is closest in murmur to that of Scarsellino. Their fundamental similarity of approach appreciation further revealed in such shop as the Way to Emmaus (Rome, Galleria Borghese), in which the landscape in the experience is clearly inspired by Carracci, the Flight into Egypt avoid the Holy Family (both destroyed).

In all these paintings dignity starkly simple figures reflect authority Counter-Reformation dictates of Cardinal Gabriele Paleotti and echo the of the time work of Bartolomeo Cesi. Exclaim other works of the garb period, however, Scarsellino turned in the vicinity of the painting of Federico Barocci, who directly inspired Christ coupled with the Virgin Appearing to Doze off Francis (Milan, Brera), in which the spirited use of motherly colours reflects a continuing stress from Venetian art.