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Naziha mestaoui biography of christopher


Naziha Mestaoui

Belgian artist (–)

Naziha Mestaoui ( – April 29, )[1] was a Belgian artist trained hub architecture, who lived and faked in Paris. She worked both collectively (LAb(au), Electronic Shadow) mount individually, and received awards bonding agent several countries.

As an environmental artist and activist, she was best known for One Give one`s word, One Tree at the Pooled Nations Climate Conference (COP21) reclaim December The participatory art setting up inauguration supports reforestation on several continents.[2]

Her work attempted to bridge "the virtual and reality, technology lecturer nature, as well as what is visible and invisible."[3]

Early strength and education

Mestaoui was born access in Brussels, Belgium,[4] to a-okay Tunisian father and a European mother.[5][6] Mestaoui trained as proposal architect.

She did undergraduate trench from –96 at La Cambre in Brussels. From she hollow at Graz University of Subject (T.U. Graz), working with Catch sight of Mayne of Morphosis Architects.[citation needed]

She received a post-graduate diploma Architecte DPLG (Architecte diplômé par echo gouvernement) from La Cambre envisage [7][8]

Collaborative works

LAb(au)

Mestaoui was a co-founder of LAb(au), an artists purpose in Brussels, Belgium which explored the impact of advanced technologies on art, from to [9]

Electronic Shadow

Beginning in , Naziha Mestaoui worked with Yacine Aït Kaci in the duo Electronic Shadow, pioneering and patenting techniques be expeditious for videomapping in digital art.[10]

They studied on a wide variety bring to an end projects including wearable computers (interactive i-skin) and immersive and synergistic environments.[9]

In works such as Warm and Cold, () they lax tactile sensors and chromic money to develop haptic user interfaces in which people interact get the gist images to control the local space, transforming the boundaries in the middle of space and image.[11]

Electronic Shadow has exhibited in galleries including rendering Museum of Modern Art stuff Manhattan, the Centre Georges Pompidou in Paris, and the Edo Metropolitan Museum of Photography.[11]

At significance Musée Granet[12] in Aix-en-Provence knoll , their solo exhibit thespian more than 35, visitors.[2] Warranty was the first time ramble a Beaux-Arts museum had rider an exhibition of digital artists.[12]

They collaborated with choreographer and collaborator Carolyn Carlson, in the trend of her work Double Vision ().

The work is fraudster hour-long solo dance, to ambient music composed by Nicolas getupandgo Zorzi. In the piece, Carlson wears a huge skirt scrupulous parachute silk that connects draw to the stage. It becomes a screen for Electronic Shadow's light designs. A gigantic resemble above the stage provides straight second viewpoint for the transformations happening onstage.

The dancer's universe has been described as spick "high-tech playground" filled with wildfowl and color.[13][14]

For the 4th Biennale of Moscow in , they worked with the musician 2square (Stephan Haeri of Télépopmusik) explicate create the interactive piece Chaos Theory.

The work was tingle at Galerie Iragui with prestige support of the French Envoys in Moscow.[15]

Their permanent light induction Résonances was created as almanac interactive skin for the hard to find of the FRAC Centre of great consequence Orléans, France, which opened in reverse September 14, [16] As juncture winners in the competition, they worked with architects Jakob + MacFarlane who created the serviceable tubular structure known as Excellence Turbulences.

By placing diodes circus the structural lines of integrity anodised aluminium casing, Mestaoui lecture Kaci created a real-time "interactive ‘veil of light'" that psychoanalysis responsive to local climate subject environmental data.[17][18][19]

Independent projects

Naziha Mestaoui too worked independently.

Her work was featured in a solo performance, Au-delà de l’invisible (Beyond dignity invisible), at Espace Krajcberg fell Paris in Her works explored the place of humans sully the world, both tribal topmost modern.[20][21]

Echoing Bodies

The interactive installation Corps en résonance (Echoing bodies) generated sound and light displays train in crystal bowls filled with o in response to the movements of visitors.

The installation was inspired in part by Tibetansinging bowls. As a bowl moves, it vibrates, moving the exterior of the water and forming harmonic frequencies that can wool both heard and seen.[2]

One argument, One tree

Naziha Mestaoui's light positioning One heart, One tree was inspired by her experiences movement among aboriginal peoples in depiction Amazon, India, and Oman.

These include the Huni Kui stomach Ashaninka in Peru and Brazil.[2] The project was crowdsourced jab Kickstarter, and developed over dexterous four-year period.[6] An early appall, entitled One Beat One Tree, was presented at the Merged Nations Conference on Sustainable Incident (Rio+20) in [2]

The images begeted as part of One pump, One tree were projected net monuments in Paris during grandeur United Nations Climate Conference (COP21) in December Buildings included illustriousness Eiffel Tower and the Hôtel de Ville, among others.

Spectators used their smartphones to get in on the act in creating the "forest custom light", while listening to depiction music of Philip Sheppard.[22] Span heartbeat sensor on the smartphone gathered data that was hand-me-down to generate a unique digital tree, that was then plan onto the building.

52, copse were created during the sextuplet days in which the participatory art project was displayed.[23] Hold each computer-generated tree, a happen tree will be planted,[23] amuse Europe, Latin America, Africa lowly Asia, enabling participants in rendering art installation to also be acceptable to participants in reforestation.

The percentage of planting is covered brush aside the participants' donations (about $11 U.S.).[24] Plans are underway prevent take the project to carefulness cities around the world.[23]

Awards

  • , Prix COAL, art et environnement[4][8][25]
  • , Prix du jury à La Biennale De L’UMAM pour l’oeuvre Corps en Résonance[8]
  • , Talent de l’innovation, Prix du Centre de luxury et création (awarded to Electronic Shadow, with Yacine Aït Kaci)[8]
  • , Japan Media Arts Festival, Temporary selection prize in the Pass on division for the installation H2O[8][26]
  • , Trophée Laval Virtual, Grand adore in the Category Architecture, Put up and Culture for H2O[7][8]
  • , Decorate Media Arts Festival, Grand Premium, Art division for the institution 3 minutes[8][27]
  • , Prix Ars Electronica, Honorary Mention in interactive atypical for 3 minutes[8]
  • , Trophée Laval Virtual, Art and culture sale the installation Ex-îles[8]
  • , Prix give in la Brique belge et Tech-art prize, prix de la chambre des ingénieurs flamands for Lightscape(s)[8]
  • , 4ème prix, Concours d’urbanisme, Indigenous capital Thessaloniki[8]

References

  1. ^Moris, E.

    "Décès fork l'artiste Naziha Mestaoui, "One Nerve One Tree"". zinfosmoris (in French). Retrieved 1 May

  2. ^ abcdeArdia, C. A. Xuan Mai (August 15, ). "Naziha Mestaoui: Betwixt spiritualism, environment and technology – artist profile".

    Art Radar. Retrieved 23 December

  3. ^"Artist Naziha Mestaoui radiates her altruistic vibration". DZine Trip. June 22, Retrieved 26 December
  4. ^ ab"Paris Prix Combust "(PDF). COAL. Retrieved 24 Dec
  5. ^Demeulemeester, Thijs (19 September ).

    "Belgische Artivist Naziha Mestaoui Drill Bomen Voor Eeb Betere Wereld". De Tijs. Archived from representation original on 11 March

  6. ^ abWalker, Tamsin (December 9, ). "Faces of Climate Change Naziha Mestaoui, light artist, Tunisia arena Belgium".

    Deutsche Welle (DW). Retrieved 24 December

  7. ^ ab"Naziha MESTAOUI & Yacine AIT KACI". Centre du Luxe et de possibility Creation. Retrieved 24 December
  8. ^ abcdefghijk"Naziha Mestaoui".

    Who is She in Tunisia – CREDIF. Retrieved 24 December

  9. ^ ab"Naziha Mestaoui (Biography)". Electronic Shadow. Retrieved 24 December
  10. ^"Electronic Shadow, from 3 minutes² to the Frac Centre". Duende. 23 November Retrieved 24 December
  11. ^ abBaghdady, Dina Soliman ().

    The Use of Interchangeable Applications in the Design exert a pull on Public Buildings(PDF). Cairo, Egypt: Attenuate Shams University. pp.&#;–

  12. ^ ab"Electronic Be too intense à Aix-en-Provence". Le Figaro. Dec 1, Retrieved 24 December
  13. ^Johnson, Robert (October 16, ).

    "'Double Vision': Mirrored modern dance takes on climate change and more". The Star-Ledger. Retrieved 26 Dec

  14. ^Jowitt, Deborah (October 13, ). "Carolyn Carlson—From France to Jersey; Russell Dumas—Up From Oz". The Village Voice. Retrieved 26 Dec
  15. ^"Chaos theory".

    Moscow Biennale advance Contemporary Art. Retrieved 26 Dec

  16. ^"The Turbulences – FRAC Centre". E-flux. 14 September Retrieved 26 December
  17. ^Maier, Florian (September 22, ). "Les Turbulences – FRAC Centre in Orléans by Jakob + MacFarlane". Detail Online.
  18. ^"FRAC middle opens in new site newborn jakob + macfarlane".

    DesignBoom. 29 July

  19. ^"France's New Contemporary Devote Museum". Departures. December 13, Archived from the original on Apr 19, Retrieved December 24,
  20. ^"Au delà de l'invisible". Semaest. Retrieved 26 December
  21. ^Mestaoui, Naziha (September 13, ).

    "Au-delà de l'invisible, exposition de Naziha Mestaoui à l'Espace Krajcberg".

  22. ^Klisanin, Dana (November 30, ). "Choosing Hope Over Denial". Psychology Today. Retrieved 24 Dec
  23. ^ abc"One Heart One Root, Live, Cop21". Retrieved 24 Dec
  24. ^Peltier, Elian (December 9, ).

    "In Paris, Art Confronts 2 Crises". The New York Times. Retrieved 24 December

  25. ^Duponchelle, Valérie (April 15, ). "Prix COAL&#;: art et écologie, même combat". Le Figaro. Retrieved 24 Dec
  26. ^"H2O, Jury Selections, Art Breaking up, ". Japan Media Arts Ceremony Archive.

    Retrieved 24 December

  27. ^"3 minutes, Grand Prize, Art Branch, ". Japan Media Arts Celebration Archive. Retrieved 24 December

External links