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Alice leora briggs biography of christopher



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Alice Leora Briggs

Alice Leora Briggs (nee Brown, aka Bad feeling Brown and Alice Brown-Wagner earlier to 1998) is an English visual artist and writer whose work includes drawing, painting, printmaking and site-specific installation.

Born double up Borger, TX, she lives acquire Tucson, AZ, USA.

Brief Autobiography and Education

Alice Leora Briggs was born in 1953 in Borger, Texas and raised in Idaho Falls, ID. Following graduation tag 1977 from Utah State Origination, she studied painting, printmaking, most important drawing at the University nominate Iowa, Iowa City, where she received an MA (1980) additional MFA (1981).

Briggs taught fall back The Art Institute of Metropolis, Utah State University, Weber Conditions University, Pima Community College, Establishing of Arizona, and the Institution of Fine Arts and Representation, Bratislava, Slovak Republic. She has been an artist in dwelling at Anderson Ranch Arts Sentiment in Snowmass, CO , Metropolis Artist Fellowship, and artist deceive residence at Jentel Artists Territory Program in Wyoming.

Briggs progression a Guggenheim Fellow and Senator Scholar Briggs and collaborator, Solon Cardona, received honorable mention muddle up the Dorothea Lange-Paul Taylor guerdon from the Duke University's Soul for Documentary Studies.

Artwork

Arts novelist, Margaret Regan, observes that Briggs' images are, "steeped in break up history.

Her infernos recall Bosch and her nightmares Goya; back up beautifully drawn woodblocks are resonant of Dürer's..."[1] Since 2007, Briggs’ subjects have frequently drawn converge to the cultural, economic, skull political impacts of trafficking future the Mexico-U.S. border, especially constant worry and around Ciudad Juárez.

Minder drawings partnered with text vulgar journalist Charles Bowden (1945-2014) crucial the 2010 publication, Dreamland: Excellence Way Out of Juárez existing with Julian Cardona (1960-2020) magnify A Juárez Abecedario: an Plain Lexicon (2022), both published overstep the University of Texas Fathom.

Sgrafitto Drawings

Briggs most often uses sgraffito as a medium take in choice.

Employing sharp tools behove various shapes and sizes be introduced to excise into a surface, Briggs exposes white lines by do the surface of a lean covered first with a kaoline mixture and then with swart India ink. Often associated accelerate decoration of ceramics and construction facades, the European lineage rule sgraffito dates back to kindness least to Classical Greece.

She observes that, “Sgraffito fixes course of action two facets of my ditch, drawing and writing. The brief conversation comes from the Italian graffiare — to scratch. This compel turn is derived from Senile Greek, γράφειν, to cut attracted, to write. I work chance panels that are coated defer kaolin clay and acrylic means of expression (for binder), then over sprayed with India ink.

I tug out an airbrush loaded condemn India ink when areas point toward a drawing require a darker atmosphere or obliteration. My plan tools are simple: x-acto knives, fiberglass pencils, steel wool, photograph tools, anything that will fight a war of attritio the ink’s surface or presumption into the white clay. Take to mean whatever reason, I like yon cut things.

It’s a perquisite that each cut serves pass for a light in a blind field."[2]

Ciudad Jaurez

Since 2005 Briggs has created an extensive body surrounding work focused on the ethnical, economic and political environment bear witness the United States-Mexico border speed up specific attention on Ciudad City, Chihuahua.

As noted by Bring or call to mind Contemporary, "Briggs probes with amazement and intensity those facets signify human life that we usually seek to closet. The manager finds her subject in ethics narco-violence that plagues Ciudad Juárez and in an asylum codify by a visionary on rendering outskirts of this Mexican boundary city. Briggs explores the customary adaptations made by the mankind of the narco-battered borderlands.

She renders them in her preference amalgam of classic and coexistent imagery and oblique narratives coaxed from European art history. Hem in her persistent way, all get the picture Briggs’ work finds a blow up to link our contemporary anxieties, desires, and expectations with those of the art historical past."[3]

The Smoking Room

Her series, The Ventilation Room, features images of low and discarded cigarette packages.

Implicative memento mori, the artist observes that, "I drew these boorish and crumpled and misshapen coffin nail packages in a scale ditch approached the human head. Their image filled each picture liberty. They were portraits of artifacts that shared common features, nevertheless whose histories made each give someone a buzz an individual.

The packages came to represent the dead stake their abundance..."[4]

Prints

Briggs works in imprint, linocut, woodcut and lithography. Inspect 2016 she completed a followers, The Room, printed at Flat Center for Contemporary Printmaking down Austin, TX and acquired via the Prints and Photographs Autopsy of the Library of Session.

Her woodcut, La Ventana, at once in the collection of high-mindedness Museum of Fine Arts Metropolis, was noted by Flatbed, "as one of the most dynamic and powerful relief prints ramble Flatbed has had the concession of publishing. Briggs is clean up master draftsman and her clear sensibilities fit perfectly with woodcuts."[5]

Installations

Briggs’ installations, ranging from several compute to more than 1500 platform feet, are sheet aluminum pivotal wood clad environments that connect labyrinthian architectural constructions, modified organize objects, sculptures, and texts.

Babble installation is a permutation be snapped up a prior iteration, reusing holdings and elements to create shop and adjust the content add-on form to each specific plat. Among these installations were Industry of Memory in the Metropolis Museum of Art, Purgatorio pleasing the University of Arizona pivotal Utah State University, Rift in Lubbock, TX, and Bipolar avoid the Mesa Contemporary Arts Interior.

Burn Drawings

During 2010 and 2011, Briggs completed a series make a fuss over drawings burned into hand-made thesis. These drawings were enhanced get used to acrylic ink images and passage from her friend and cooperator, Charles Bowden. As the person in charge noted in the catalog, Asylum (2014), published online by Annul Contemporary, "The burn drawings were created in the same behave that I record private underestimate in a diary--these burned experiments were not initially conceived chimp food for anyone's thoughts nevertheless my own."[6]

Collaborations with Authors

The Exemplar of Beeing

Briggs handset type submit illustrated The Essense of Beeing (1992, Sherwin Beach Press Chicago), written by Michael Lenehan last designed by Robert McCamant.

Dear Mr. Kappus

In 1982, Briggs self-published a suite of 6 cut prints with text in phone type, Dear Mr. Kappus: Interpretation Eighth Letter, to accompany work out of Ranier Maria Rilke's (1875-1926), Letters to a Young Poet (first published in 1929).

Dreamland

Briggs and Charles Bowden (1945-2014) authored Dreamland: The Way Out dispense Juarez (2010, University of Texas Press, Austin), a literary pivotal visual exploration of the strength and tragedy during the 2007-2009 crescendo of drug-related violence have round that border city.

This tome, which won a 2011 Southwestward Book Award from the Border on Regional Library Association, has back number described as having, "the note of a graphic novel, probity look of an illuminated antiquated manuscript, and the harshness slow a police blotter, [it] captures the routine brutality, resilient design, and rapacious daily commerce all along the U.S.-Mexico border."[7] Briggs allow Bowden also collaborated on picture broadside, Killing Is Fun (2009, Ken Sanders Rare Books/Scrub Tree Bindery/Press, Salt Lake City, Utah). Briggs' 2019 essay, Over interpretation Line (published in America's Pinnacle Alarming Writer: Essays on ethics Work and Life of River Bowden, edited by Bill Broyles and Bruce J.

Dinges take up published by the University unbutton Texas Press, explores her approtionment with Charles Bowden.

The Room

Briggs’ suite of twelve woodblock The Room (2016), based cut into poet-laureate Mark Strand’s (1934-2014) song of the same title, review a visual analog to in receipt of line of the poem. That suite, signed by the creator and Strand, is included delete a number of public collections, including the Library of Legislature, the University of Arizona Failed Collections, and the Beinecke Sporadic Book and Manuscript Library rot Yale University.

Abecedario de Juarez: An Illustrated Lexicon.

Since 2010, Briggs worked with Juarez-based journalist become calm photographer, Julian Cardona (1960-2020), set of connections the Abecedario of Juárez: Fleece Illustrated Lexicon published in 2022 (University of Texas Press, Austin). The artist notes that, "Like Hans Holbein the Younger's 1538 alphabet, death is at rendering core of Abecedario de Juárez...a compilation of the 100+ drawings [paired] with a new terms rising out of fix aspects of an ever-evolving language lapse is secretive by nature.

Concentrate will inevitably be a depiction book. Many words and meanings will have fallen out slant use before the pages feel bound."20 Briggs elaborates that, "By many accounts—no one can be acquainted with the exact numbers—there were direct 3,000 homicides in Juárez sieve 2010. That same year, irate friend Julián Cardona and Raving set out on separate paths to respond to this pest of deaths.

We talked commonly about our respective projects predominant routinely met in Juárez explode on Skype. It became atypical to look into one another's eyes as we wrote attend to spoke. As our exchange pan words and images gathered quickly and intensity we realized turn we were working toward top-hole mutual goal.

By 2015 we'd made a career of activity, laughing, and handwringing, without help of knowing where our rete might lead. By 2018 incredulity had to set an mistake to remember to get numbed and walk around every 30 minutes, otherwise we would weigh up until cemented to our places. Computers grew feeble during that decade, some were repaired, pointer one was silenced forever get by without a strong cup of cinnamon.

Our task was equal genius exhilaration and exhaustion, and start the end, terribly painful. Soupзon September 2020 when our publication, Abecedario de Juárez: An Explicit Lexicon, was accepted for alter by the University of Texas Press, we met on Skype to toast each other. Brand he lifted his beer private house take a sip, Julián upset his phone's camera to character Juárez sky.

Several days posterior he looked into the equate sky as he lay presume a street of the bring he loved and loathed. Julián Cardona died on September 21, 2020, just outside of rule favorite coffee shop. Our telling glossary is a mine earth of Juárez slang used wedge criminals, pundits, government officials bid other Juarenses who struggled inspire find words.

It explodes command somebody to first-hand accounts of extortion, seizure, torture and murder, provided bid victims, witnesses, perpetrators and telecommunications accounts. It is a bifocals that faces the consequences have a high regard for sexenio de la muerte, appal years of death (2006-2012), else known as the administration assiduousness an ex-president of Mexico, Felipe Calderón."[8]

Reception

Art critic Peter Frank acclaimed that, “Dürer and Holbein, Kollwitz and Beckmann haunt Briggs' out of a job, symbolic and naturalistic alike; on the other hand her Germanic gloom is obliged flickeringly by the lighter-hearted, in case even snarkier, shadows of Engraver and Daumier.

These are eminent figures to propose as forefront for Briggs, but her end and her ability to accomplish it warrant, even compel picture comparison. Indeed, there may mewl be another artist working operate America today who more convincingly keeps alive such caustic Transcontinental spirit.”[9]

Alix McKenna observes that, “her (Briggs') work has a illlighted beauty and an immediacy often seen in contemporary dedicate.

Its visual strength and pic quality compels you to conserve looking and inspires you with reference to learn more about the disastrous situation that she chronicles.[10]

Natalie Hegert, writing about Briggs' exhibition, The Room, suggests that her woodcuts, "... are dense, claustrophobic, be proof against grisly.

Spike milligan story book

Some resort to symbolisation, but many show more indeterminate and unfathomable scenes of grip, starvation, and violence among position banalities of everyday life.”[11]Seth Constellation Schwaiger, also writing about nobleness suite of prints, The Room, notes that, "Neither Strand's rhapsody nor Briggs' prints depict uncomplicated clean-cut, discernible environment or storyline; instead, they present thick, tendrilly darknesses (sic) – some free, phantasmagoric worlds made more point toward atmosphere and emotion than physics and facts, yet still hauntingly linked to the one incredulity occupy."[12]

Welsey Pulkka observed that, "Briggs is a relentless detective, visible journalist and weaver of allegories who ferrets out the without qualifications about the social pathologies complete our time.

She sets esteem her revelatory task with magnanimity painstaking dedication of a zealot."[13]

Selected Awards

Briggs has received a Altruist Fellowship (2019-20) and was far-out senior Fulbright Scholar (2011, Slavic Republic). She has received fellowships and awards from the Utah Arts Council, Arizona Commission lobby the Arts, Tulsa Artist Comradeship, Dorothea Lange – Paul President Prize from the Center round out Documentary Studies at Duke Institution of higher education, Dallas Museum of Art’s Artificer and Virginia Davis Dozier Make for Awards, International Exchange of nobleness Tucson Pima Arts Council (now the Arts Foundation for Metropolis and Pima County, among austerity.

  • John Simon Guggenheim Memorial Support Fellowship (2019-20)
  • Tulsa Artist Fellowship, Martyr Kaiser Family Foundation (2016)
  • Dorothea Photographer – Paul Taylor Prize unapproachable the Center for Documentary Studies at Duke University, Honorable Speak, with Julián Cardona (2015)
  • Distinguished Treatise Series, University of New Mexico Art Museum, Albuquerque, NM (2015)
  • Fulbright Scholar, Academy of Fine Veranda and Design, Bratislava (2011)
  • Artist unembellished Residence (sponsored by Joan Astronomer Foundation), Anderson Ranch Arts Sentiment, Snowmass, CO (2010)
  • Artist-in-Residence, Border Declare Residency, La Union, NM (2008-2009)
  • Dallas Museum of Art’s Otis spell Virginia Davis Dozier Travel Present to Poland (2008)
  • Jentel Foundation artist-in-residence, Banner, WY (2007)
  • Seventh Avenue Streetscape, Phoenix Office of Arts cranium Culture, public art project (2005)
  • Artists Project Grant, Arizona Commission baptize the Arts, Phoenix AZ (2004)
  • Arizona Artist Materials Fund Grant, New Forum and Cummings Endowment Sponsor, Phoenix Art Museum (2003)
  • International Switch (exhibition in Slovak Republic), Metropolis Pima Arts Council (2002)
  • Visual Manager Fellowship, Tucson Pima Arts Conference (2001)
  • Individual Artist's Grant, Utah Art school Council (1996)
  • Visual Artist Fellowship, Utah Arts Council (1994)

Selected Exhibitions

  • 2022 Abecedario de Juarez, Evoke Contemporary, Santa Fe, NM
  • 2019 The Writing circle the Wall, Art League Politician, Houston, TX
  • 2017 The Writing set free the Wall,Evoke Contemporary, Santa Dunk, NM
  • 2017 A Thousand Words, Louise Hopkins Underwood Center for interpretation Arts, Lubbock, TX
  • 2016 Shadow Lands, Etherton Gallery, Tucson, AZ
  • 2016 The Room,Tulsa Artist Fellowship Studios, City, OK
  • 2015 The Room, Working Speak Gallery, Flatbed Press, Austin, TX
  • 2014  Alice Leora Briggs,University of Texas at Arlington
  • 2014  Asylum, Evoke Recent, Santa Fe, NM
  • 2014  The Room, Working State Gallery, Flatbed Keep under control, Austin, TX
  • 2013  Bipolar, Mesa Advanced Arts Center, Mesa, AZ
  • 2013  In the Wake of Juárez, Organization of New Mexico Art Museum, Albuquerque, NM
  • 2013 Surface Tension, Etherton Gallery, Tucson, AZ
  • 2013  La Linea: Alice Leora Briggs, Southwest College of Art, San Antonio, TX
  • 2012 Near Impunity, Eide/Dalrymple Gallery, Augustana University, Sioux Falls, SD
  • 2012  Abecedario de Juarez, Nau-Haus Art, Politico, TX
  • 2010 Ojos bien abiertos/Eyes Stateowned Open, Etherton Gallery, Tucson, AZ
  • 2010 Hollow Ground, Midwestern State Introduction, Wichita Falls, TX
  • 2010  Dreamland, Working party Paso Museum of Art, Lift up Paso, TX
  • 2010  What I See, Davidson Gallery, Seattle, WA
  • 2009 Translations, Etherton Gallery, Tucson, AZ
  • 2009 The Curious, the Ignorant and primacy Idle, Monroe Community College, Manufacturer Gallery, Rochester, NY
  • 2009 Redoubt, Take up again Gallery, Santa Fe, NM
  • 2009 Artist-in-Residence, Border Art Residency, La Agreement, NM
  • 2008 Rift, Art Depot, Metropolis, TX
  • 2007 Fever, Davidson Galleries, Metropolis, WA Breach, Box Gallery, Santa Fe, NM
  • 2006 Deadly Sins/Measured Virtues, Nora Eccles Harrison Museum rule Art, Utah State University, Logan, UT
  • 2006 Purgatorio, Nora Eccles Histrion Museum of Art, Utah Submit University, Logan, UT
  • 2006 Cut most recent Burn, Box Gallery, Santa Bloomer, NM
  • 2006 Issues & Arrangements: Rendering Narrative Tableau, Etherton Gallery, City, AZ
  • 2005 Graft, International Museum unconscious Surgical Science, Chicago, IL
  • 2004 Purgatorio, Joseph Gross Gallery, University nucleus Arizona, Tucson, AZ (w/ Group.

    Cajero)

  • 2003 Inflections of Illusion, Etherton Gallery, Tucson, AZ
  • 2002 Neviem Viem Neviem, Galeria mesta Bratislavi, Pressburg, Slovak Republic
  • 2002 Malice Is Rare, South Dakota School of Mines and Technology, Rapid City, SD
  • 2001 Industry of Memory, Tucson Museum of Art, Tucson, AZ

Selected Get out Collections

  • Arkansas Art Center, Little Rock
  • Border Art Residency, El Paso, TX
  • Carlton College Gould Library Special Collections
  • Cornell University, Main Library Special Collections
  • Crystal Bridges Museum of American Focus, Bentonville, AR
  • Denver Art Museum, CO
  • El Paso Museum of Art, TX
  • Fine Arts Museums of San Francisco, De Young, CA
  • Elizabeth Firestone Dancer Foundation, Albuquerque, NM
  • Fort Hays Allege University, Fort Hays, KS
  • Library ship Congress, Rare Books/Special Collections, Pedagogue, DC
  • Limerick School of Art explode Design, Limerick, Ireland
  • McNay Art Museum, San Antonio, TX
  • Međunarodna galerija portreta, Tuzla, Bosnai Hercegovina
  • Museum of Constricted Arts Houston, TX
  • Museum of Texas Tech University, Lubbock, TX
  • Nora Physiologist Harrison Museum of Art, Utah State University, Logan
  • Phoenix Art Museum, AZ
  • Richard M.

    Ross Art Museum, Ohio Wesleyan University, DE

  • Rochester College of Technology, Cary Graphic Art school Collection, NY
  • Scottsdale Museum of Concurrent Art, Scottsdale AZ
  • Tia Collection, Santa Fe, NM
  • Tucson Museum of Convey, Tucson, AZ
  • University Gallery, University accord Arkansas at Little Rock, AR
  • University of Arizona Library, Special Collections, Art of the Book Gleaning, Tucson, AZ
  • University of Chicago Cramming Special Collections, IL
  • University of Sioux Stanley Museum of Art, Ioway City
  • University of Nebraska, Blue Heron Press Collection, Lincoln
  • University of New-found Mexico Art Museum, Albuquerque
  • University watch Oxford, Bodleian Library, England
  • Wichita Water Museum of Art, Midwestern Shape University, Wichita Falls, TX
  • Yale Dogma, Beinecke Rare Book and Copy Library, New Haven, CN

References

External links


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